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futurism - traduction vers russe
ВТОРОЙ АЛЬБОМ БРИТАНСКОЙ ГРУППЫ MUSE
Micro Cuts; Hyper Music; Futurism; Darkshines
futurism
, Museum of Modern Art, New York.jpg?width=200)
![An example of Futurist design: "Skyscraper Lamp", by the Italian architect [[Arnaldo dell'Ira]], 1929](https://commons.wikimedia.org/wiki/Special:FilePath/Arnaldo Dell'Ira (1903-1943), lampada a grattacielo, 1929.jpg?width=200 "An example of Futurist design: \"Skyscraper Lamp\", by the Italian architect [[Arnaldo dell'Ira]], 1929")
![An example of [[Futurist architecture]] by [[Antonio Sant'Elia]]](https://commons.wikimedia.org/wiki/Special:FilePath/Casa Sant'Elia.jpg?width=200 "An example of [[Futurist architecture]] by [[Antonio Sant'Elia]]")
![''Sail: In Two Movements'' by [[Charles Demuth]] 1919](https://commons.wikimedia.org/wiki/Special:FilePath/Charles-Demuth-Sail-In-Two-Movements-1919.jpg?width=200 "''Sail: In Two Movements'' by [[Charles Demuth]] 1919")
![Cyclist]]'', 1913](https://commons.wikimedia.org/wiki/Special:FilePath/Cyclist (Goncharova, 1913).jpg?width=200 "Cyclist]]'', 1913")
![[[Giacomo Balla]], 1912, ''[[Dinamismo di un Cane al Guinzaglio]]'' (''Dynamism of a Dog on a Leash''), [[Albright-Knox Art Gallery]]](https://commons.wikimedia.org/wiki/Special:FilePath/Giacomo Balla, 1912, Dynamism of a Dog on a Leash, oil on canvas, 89.8 x 109.8 cm, Albright-Knox Art Gallery.jpg?width=200 "[[Giacomo Balla]], 1912, ''[[Dinamismo di un Cane al Guinzaglio]]'' (''Dynamism of a Dog on a Leash''), [[Albright-Knox Art Gallery]]")
![[[Joseph Stella]], 1919–20, ''Brooklyn Bridge'', oil on canvas, 215.3 × 194.6 cm, [[Yale University Art Gallery]]](https://commons.wikimedia.org/wiki/Special:FilePath/Joseph Stella, 1919-20, Brooklyn Bridge, oil on canvas, 215.3 x 194.6 cm, Yale University Art Gallery.jpg?width=200 "[[Joseph Stella]], 1919–20, ''Brooklyn Bridge'', oil on canvas, 215.3 × 194.6 cm, [[Yale University Art Gallery]]")
![Vladimir Burliuk]], [[Vladimir Mayakovsky]], [[David Burliuk]], and [[Benedikt Livshits]].](https://commons.wikimedia.org/wiki/Special:FilePath/Poshechina obshestvennomu vkusu.jpg?width=200 "Vladimir Burliuk]], [[Vladimir Mayakovsky]], [[David Burliuk]], and [[Benedikt Livshits]].")
![Italian futurists [[Luigi Russolo]], [[Carlo Carrà]], [[Filippo Tommaso Marinetti]], [[Umberto Boccioni]] and [[Gino Severini]] in front of Le Figaro, Paris, February 9, 1912](https://commons.wikimedia.org/wiki/Special:FilePath/Russolo, Carrà, Marinetti, Boccioni and Severini in front of Le Figaro, Paris, 9 February 1912.jpg?width=200 "Italian futurists [[Luigi Russolo]], [[Carlo Carrà]], [[Filippo Tommaso Marinetti]], [[Umberto Boccioni]] and [[Gino Severini]] in front of Le Figaro, Paris, February 9, 1912")
![Thaïs]]'' by [[Anton Giulio Bragaglia]] (1917)](https://commons.wikimedia.org/wiki/Special:FilePath/Thais Bragaglia 1917 06.jpg?width=200 "Thaïs]]'' by [[Anton Giulio Bragaglia]] (1917)")
![[[Umberto Boccioni]], 1913, ''[[Dynamism of a Cyclist]]'' (''Dinamismo di un ciclista''), oil on canvas, 70 x 95 cm, [[Gianni Mattioli]] Collection, on long-term loan to the [[Peggy Guggenheim Collection]], Venice](https://commons.wikimedia.org/wiki/Special:FilePath/Umberto Boccioni, 1913, Dynamism of a Cyclist (Dinamismo di un ciclista), oil on canvas, 70 x 95 cm, Gianni Mattioli Collection, on long-term loan to the Peggy Guggenheim Collection, Venice.jpg?width=200 "[[Umberto Boccioni]], 1913, ''[[Dynamism of a Cyclist]]'' (''Dinamismo di un ciclista''), oil on canvas, 70 x 95 cm, [[Gianni Mattioli]] Collection, on long-term loan to the [[Peggy Guggenheim Collection]], Venice")
![[[Umberto Boccioni]], sketch of ''[[The City Rises]]'' (1910)](https://commons.wikimedia.org/wiki/Special:FilePath/Umberto Boccioni 001.jpg?width=200 "[[Umberto Boccioni]], sketch of ''[[The City Rises]]'' (1910)")
![Photos, in descending order: [[Carlo Carrà]], [[Filippo Tommaso Marinetti]], [[Umberto Boccioni]], [[Luigi Russolo]]. Paintings, in descending order: Luigi Russolo, 1911, ''Souvenir d'un nuit'', 1911–12, ''La révolte'' (two versions are depicted here); Umberto Boccioni, 1912, ''Le rire''; Gino Severini, 1911, ''La danseuse obsedante''. Published in ''The Sun'', 25 February 1912](https://commons.wikimedia.org/wiki/Special:FilePath/Luigi Russolo, Carlo Carrà, Filippo Tommaso Marinetti, Umberto Boccioni, Gino Severini, The Sun, 25 February 1912.jpg?width=200 "Photos, in descending order: [[Carlo Carrà]], [[Filippo Tommaso Marinetti]], [[Umberto Boccioni]], [[Luigi Russolo]]. Paintings, in descending order: Luigi Russolo, 1911, ''Souvenir d'un nuit'', 1911–12, ''La révolte'' (two versions are depicted here); Umberto Boccioni, 1912, ''Le rire''; Gino Severini, 1911, ''La danseuse obsedante''. Published in ''The Sun'', 25 February 1912")
![l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud)]]''. Published in ''Les Annales politiques et littéraires'', Sommaire du n. 1536, décembre 1912](https://commons.wikimedia.org/wiki/Special:FilePath/Jean Metzinger, Gino Severini, Albert Gleizes, Les Annales politiques et littéraires, Sommaire du n. 1536, décembre 1912.jpg?width=200 "l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud)]]''. Published in ''Les Annales politiques et littéraires'', Sommaire du n. 1536, décembre 1912")
![Paintings by [[Gino Severini]], 1911, ''La Danse du Pan-Pan'', and Severini, 1913, ''L'autobus''. Published in ''Les Annales politiques et littéraires'', ''Le Paradoxe Cubiste'', 14 March 1920](https://commons.wikimedia.org/wiki/Special:FilePath/Gino Severini, La Danse du Pan-Pan, L’autobus, Les Annales politiques et littéraires, 14 March 1920.jpg?width=200 "Paintings by [[Gino Severini]], 1911, ''La Danse du Pan-Pan'', and Severini, 1913, ''L'autobus''. Published in ''Les Annales politiques et littéraires'', ''Le Paradoxe Cubiste'', 14 March 1920")
![Man on a Balcony, L'Homme au balcon]]''; Severini, 1912–13, ''Portrait de Mlle Jeanne Paul-Fort''; [[Luigi Russolo]], 1911–12, ''La Révolte''. Published in ''Les Annales politiques et littéraires'', ''Le Paradoxe Cubiste'' (continued), n. 1916, 14 March 1920](https://commons.wikimedia.org/wiki/Special:FilePath/Gino Severini, Albert Gleizes, Luigi Russolo, Les Annales politiques et littéraires, n. 1916, 14 March 1920.jpg?width=200 "Man on a Balcony, L'Homme au balcon]]''; Severini, 1912–13, ''Portrait de Mlle Jeanne Paul-Fort''; [[Luigi Russolo]], 1911–12, ''La Révolte''. Published in ''Les Annales politiques et littéraires'', ''Le Paradoxe Cubiste'' (continued), n. 1916, 14 March 1920")
ARTISTIC AND SOCIAL MOVEMENT
Futurism movement; Futurist movement; Futurism (art); Aeropainting; Italian Futurists; Futurismo; Italian Futurism; Italian Futurist
['fju:tʃəriz(ə)m]
существительное
общая лексика
футуризм
искусство
фу туризм
futurism
ARTISTIC AND SOCIAL MOVEMENT
Futurism movement; Futurist movement; Futurism (art); Aeropainting; Italian Futurists; Futurismo; Italian Futurism; Italian Futurist
сущ.
футуризм; направление в искусстве, отвергавшее культуру прошлого и пытавшееся создать новые формы и стили.
futurism
ARTISTIC AND SOCIAL MOVEMENT
Futurism movement; Futurist movement; Futurism (art); Aeropainting; Italian Futurists; Futurismo; Italian Futurism; Italian Futurist
futurism noun футуризм
Définition
Futurism
¦ noun an artistic movement launched in Italy in 1909, which strongly rejected traditional forms and embraced the dynamism of modern technology.
Origin
from Ital. futurismo.
Wikipédia
Origin of Symmetry
Origin of Symmetry (в переводе с англ. — происхождение симметрии) — второй студийный альбом британской альтернативной рок-группы группы Muse, выпущенный летом 2001 лейблом Mushroom Records в UK. Plug In Baby, New Born, Bliss, Feeling Good и Hyper Music были выпущены в виде синглов к этому альбому, позже две из них перевыпустили вместе двойным CD. В 2006 году читатели музыкального журнала Q назвали этот альбом #73 в их 100 Greatest Albums Ever.
Exemples du corpus de texte pour futurism
1. At the 1'33 Nuremberg Rally Hitler lambasted futurism (despite its fascist affiliations) and dada.
2. Like "The Matrix" movies, its futurism is conceived of in almost sado–masochistic terms – its torture scenes in particular.
3. No÷ 1 Tunnel Italian Culture Institute «From Futurism to the Possible Future in Contemporary Italian Architecture» Through July 15 Tophane–i Amire Boðazkesen Cd.
4. Page '. Where Tradition Meets Futurism By Anna Smolchenko Staff Writer Vladimir Filonov / MT Napoleon stayed here, a fervent Old Believer was starved to death here, and a monastery nearby holds a one–of–a–kind mural.
5. It covers the tumultuous period from 1870 to 1'25, when European society underwent wars and revolutions and painting moved from rural realism to the radical perspective–shattering of Cubism and Futurism.
